following The Beacon (trying not to gag on puns)
I finally looked through my writing folder tonight for likely candidates to include with my MFA application. The Dark Tower pastiche was out, as were the three secondary world novels starring a character who looks like Satan, as were many of the short stories that, bless them, tried very hard to be good and instead were stepping stones to other, better writing. I love The Roof of the Sky, but it’s not right for a grad school application. There is a little short story about a motorcycle jumper than I like, and a long novella about a man whose toddler becomes Death. Also, the story about the boy finds a crashed space ship in the woods is pretty good, I think, as is the story about the kids who sneak into an old ladies house after her dog won’t stop barking, as well as the one about the widower who builds a rocket ship in his front yard from old Russian rocketry manuals.
And though I may include some of these, I think my best shot lies with the as yet unfinished The Beacon novel. There’s a huge chunk that’s all Silver Age comic book story, and about forty pages of story that extends from that comic. It’s a piece that, right now, isn’t much, but I think it shows the most promise and potential of anything I’ve written. I’ve posted some snatches of it here from time to time. I worked on it a lot earlier this year, but after graduation it languished and sort of went into hibernation. Tonight I added 1,000 words and wrote a scene I’ve known about for months (although, as usual, I didn’t have it quite figured out).
It feels good, and after five months of it sitting there on my hard drive, I’m excited about the project again.
Oddry is some of the best stuff I’ve read by you, even if the main character is a little Satan-esque. The Dark Tower, after all, sports a schizophrenic, plate-throwing amputee. I also still love Happy End of the Everything.
But, good luck with sorting all of that out–I do not envy your impending editing tasks. <3<3<3<3
Sounds interesting. From what you’ve said of it and the bits you’ve posted, it reminds me somewhat of a better version of Chabon’s ‘Kavalier and Clay,’ which narrowly avoided being one my favorites, blowing it at the last by his being slightly too taken with the research he had done (you should never ‘include’ your research; simply research thoroughly and then write. Chabon was a little to taken with the work he’d done and it felt like he included gratuitous information in order to make clear that he really understood comics, only it felt less like he understood them and more like he’d read a fact-based history of them). I’m also getting some Mike Mignola vibes, just in the semi-surreal history, and that’s a good thing, high, praise, Mignola is awesome.
Good luck with this. I’d be very curious to see where it takes you.